Barlow, Maisie (Yarrcali). Jirrbal: Rainforest Dreamtime Stories, illus. by Michael (Boiyool) Anning. Magabala Books Aboriginal Corporation, Broome, WA, 2001.

Mellor, Doreen. Across: An Exhibition of Indigenous Art and Culture [exhibition catalogue]. Canberra School of Art Gallery, Canberra, 2000.

Pulley, Roz. ‘Maisie makes mark’. Cairns Post, 6 July 2002, p.3.

Telstra Presents the 18th National Aboriginal & Torres Strait Islander Art Award 2001 [exhibition catalogue]. Museum and Art Gallery of the Northern Territory, Darwin, 2001.
 

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Gordon, Tulo. Milbi: Aboriginal Tales from Queensland’s Endeavour River, transl. by John B. Haviland. Australian National University Press, Canberra, 1979.

Haviland, John B., with Hart, Roger. Old Man Fog and the Last Aborigines of Barrow Point, illus. by Tulo Gordon. Crawford House Publishing, Bathurst, 1998 (Smithsonian Series in Ethnographic Inquiry).
 

[artist profile]

 
 
Mellor, Danie. ‘Colonial perspectives’, In Latest Editions: 2001 Postgraduate Printmedia Seminar. Printmedia and Drawing Workshop, School of Art, National Institute of the Arts, Canberra, 2001, pp.16–8.

Mellor, Doreen. Native Titled Now [exhibition catalogue]. Tandanya National Aboriginal Cultural Institute, Adelaide, 1996.

Mellor, Doreen and Megaw, Vincent. ‘The land made visible: “Native Titled Now”’, Artlink, vol. 16, no. 4, Summer 1996, pp.6–8.

‘Top entries in youth award’, Koori Mail, 13 May 2000, p.13.
 

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Brady, Wendy. ‘Rosella Namok', In Beyond the Pale: Contemporary Indigenous Art: 2000 Adelaide Biennial of Australian Art  [exhibition catalogue]. Art Gallery of South Australia, Adelaide, 2000, pp. 49–51, 104.

Brand, Michael. ‘Rosella Namok: “My country and people”’, In Fortitude: New Art from Queensland [exhibition catalogue]. Queensland Art Gallery, South Brisbane, pp.26–9.
www.qag.qld.gov.au/fortitude

McCulloch-Uehlin, Susan. ‘Water marks’, Weekend Australian, 21 July 2001, Review, p.21–2.

The Message Stick: Art from North Queensland's Lockhart River Aboriginal Community [exhibition catalogue]. Lockhart River Community, 1999.

Morrell, Tim. ‘The Lockhart River Gang’, Artlink, vol. 22, no. 3, 2002, pp.62–4.

Neales, Sue. ‘Burning bright’, Australian Financial Review Magazine, July 2002, pp.12–3, 15–6, 18.

Osborne, Margot. Wild Nature in Contemporary Australian Art and Craft [exhibition catalogue]. JamFactory Contemporary Craft and Design, Adelaide, 2002.

Rosella Namok: Mepla Sarbie Paint [exhibition catalogue]. Andrew Baker Art Dealer, Fortitude Valley, Qld., 2001.
 

[artist profile]

 
 
Aldred, Debra. ‘North poles’, Courier Mail, 20 February 2003, p.20.

Sutton, Peter (ed). Dreamings: The Art of Aboriginal Australia. Viking in association with the Asia Society Galleries, New York, Ringwood, Vic., 1988.

[artist profile]

 
 
Caruana, Wally. Aboriginal Art. Thames and Hudson, London, 1991.

Kank inum – Nink inum (Old way — New way): An Exhibition of Cast Works from the Aurukun community [exhibition catalogue]. UAP: Urban Art Projects, Eagle Farm, Qld., 2002.

Sutton, Peter (ed.). Dreamings: The Art of Aboriginal Australia. Viking in association with the Asia Society Galleries, New York. Ringwood, Vic., 1988. 

 
[artist profile]

 
 
Haviland, John B., with Hart, Roger. Old Man Fog and the Last Aborigines of Barrow Point, illus. by Tulo Gordon. Crawford House Publishing, Bathurst, 1998 (Smithsonian Series in Ethnographic Inquiry).

‘Joe Rootsey, Aboriginal artist, dies at 45’, Courier Mail, 27 June 1963.

‘Joe Rootsey: the second Namatjira’, North Australian Monthly, vol.3, no.11, June 1957, p.25.

West, Margie. ‘Joe Rootsey Alamanhthin’, In The Oxford Companion to Aboriginal Art and Culture, eds Sylvia Kleinert and Margo Neale. Oxford University Press, Melbourne, 2000.
 

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Cochrane, Grace. The Crafts Movement in Australia: A History. New South Wales University Press, Sydney, 1992.

Fitzpatrick, Kirsten. Thancoupie [exhibition catalogue]. Brisbane City Council, 2001.

Fletcher, Gloria [Thancoupie] and Hall, Ernest. ‘Chivaree the seagull man’, In Australian Dreaming: 40 000 Years of Aboriginal History, compiled and edited by Jennifer Isaacs. Lansdowne Press, Sydney, 1980, pp.83–5.

Isaacs, Jennifer. Thancoupie, the Potter. Aboriginal Artists Agency, Sydney, 1982.

Johnson, Trish. ‘Thancoupie: “The earth offers sustenance to those who care for her’”, Art and Australia, vol.39, no.3, March–May 2002, pp.380–1.

Mellor, Doreen. ‘Thancoupie: earth shaper’, In Kaltja Now: Indigenous Arts Australia. Wakefield Press in association with the National Aboriginal Cultural Institute – Tandanya, Adelaide, 2001, pp.87–97.

Thancoupie. “‘I keep my head above my shoulders, and I try to keep him strong and high’” : edited from taped interviews with Ulli Beier. In Long Water: Aboriginal Art & Literature 1988, eds. Ulli Beier and Colin Johnson. Aboriginal Artists Agency, Sydney, 1988, pp.52–65.

Thompson, Liz (comp). Aboriginal Voices: Contemporary Aboriginal Artists, Writers and Performers. Simon & Shuster Australia, Brookvale, 1990.

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Mellor, Doreen and Haebich, Anna (eds). Many Voices: Reflections on Experiences of Indigenous Child Separation. National Library of Australia, Canberra, 2002.

Moon, Diane. Spinifex Runner: A Collection of Contemporary Aboriginal and Torres Strait Islander Fibre Art [exhibition catalogue]. Campbelltown City Bicentennial Art Gallery, 1999.

Sommersall, Deborah. Interview with Wilma Walker, 14 August 1999, Mossman, Queensland, transcript of sound recording. National Library of Australia, Canberra, 1999 (‘Bringing Them Home’ Oral History Project).

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