NAM JUNE PAIK

NAM JUNE PAIK
Born 1932
Seoul, Korea
1950 Moved to Hong Kong and later to Japan
Has lived and worked in New York, USA since 1964

Selected solo exhibitions
2002 'Special Exhibition of Nam June Paik', Korean Folk Village Art Museum, Yongin City, Korea
2000 ‘The Worlds of Nam June Paik’, Ho-Am Art Gallery, Seoul, Korea; USA; Spain
1999 'Nam June Paik: Fluxus/Video', Kunsthalle Bremen, Germany
1997 'Coyote 3', Anthology Film Archives, New York, USA (performance)
1996 'Electronic Undercurrents: Nam June Paik Video Sculpture', Statens Museum fur Kunst, Copenhagen, Denmark
1995 'Nam June Paik '95: Art and Communication', Gallery Hyundai, Seoul, Korea
Fukuoka Art Museum, Japan
1994 ‘The Electronic Super Highway: Travels with Nam June Paik’, Fort Lauderdale Museum of Art, USA
1993 'Feedback & Feedforth', Watari-Um Museum of Contemporary Art,
Tokyo, Japan
1992 ‘Nam June Paik Retrospective', National Museum of Modern Art, Seoul, Korea
1991 ‘Video Time — Video Space’, Kunsthalle Basel and Kunsthaus Zurich,
Switzerland; Germany; Austria
1990 'Nam June Paik: Beuys Vox 1961–86', Gallery Hyundai and Gallery
Won, Seoul, Korea
1989 ‘Nam June Paik: The Family of Robot’, Fukuoka Art Museum, Japan
'Nam June Paik: Eine Kerze', Portikus, Frankfurt am Main, Germany
1988 ‘Nam June Paik: Video Works 1963–88’, Hayward Gallery, London, UK
1984 ‘Nam June Paik — Mostly Video’, Tokyo Metropolitan Art Museum, Japan
'Concert Performance with Two Pianos' (with Joseph Beuys), Sogetsu
Hall, Tokyo, Japan (performance)
1982 ‘Nam June Paik Retrospective Exhibition', Whitney Museum of
American Art, New York, USA
'Tricolor Video', Musée National d’Art Moderne, Centre Georges
Pompidou, Paris, France
1981 ‘By With Of On Beuys, Cage, Cunningham, Paik’, Watari-Um Gallery,
Tokyo, Japan
1980 ‘The New American Filmmakers Series, Nam June Paik’, Whitney
Museum of American Art, New York, USA
1979 Guadalcanal (with Charlotte Moorman), WNET/Thirteen, New York, USA (performance)
1978 ‘A Tribute to John Cage’, Watari-Um Gallery, Tokyo, Japan
‘Nam June Paik Retrospective’, Musée d’Art Moderne de la Ville de
Paris, France
1977 'Fluxus Traffic', Rene Block Gallery, Berlin, Germany
1976 ‘Moon Is The Oldest TV-Set’, Rene Block Gallery, New York, USA
'Nam June Paik: Werke 1946–1976: Musik-Fluxus-Video', Kölnischer
Kunstverein, Cologne, Germany
1975 Rene Block Gallery, New York, USA
1974 Global Groove (with Charlotte Moorman), WNET/Thirteen, New York,
USA
1971 ‘Electronic Art III ' (Paik-Abe Video Synthesizer with Charlotte
Moorman), Galeria Bonino in collaboration with Intermedia Institute,
New York, USA (performance)
1967 Opera Sextronique (with Charlotte Moorman), Filmmakers’
Cinémathêque, New York, USA (performance)
1965 ‘Nam June Paik: Cybernetics Art and Music’, New School for Social
Research, New York, USA (performance)
1965, '68, '74
'Electronic Art', Galeria Bonino, New York, USA
1964 '2nd Annual New York Avant Garde Festival', duet II (with Charlotte
Moorman and Toshi Ichiyanagi); plus-minus by Karlheinz Stockhausen
(with Charlotte Moorman and robot); Robot Opera. Action Music (as part
of Karlheinz Stockhausen’s Originale). These were Paik’s first
performances with Moorman.
1963 ‘Piano for All Senses’, Amstel 47, Amsterdam, The Netherlands.
Performed by P. Broetzman, W. de Ridder, M. Montwe and T. Schmit in
Paik’s absence.
Exposition of Music-Electronic Television, Galerie Parnass, Wuppertal-
Elberfeld, Germany (Paik's first solo exhibition)
1961 ‘Action Music; Do It Yourself – Answers to La Monte Young; Simple; Read Music’, Liljevalchs Konsthall, Stockholm, Sweden; Denmark; Norway (performance)
1959 Hommage à John Cage. 'Bildschreine' exhibition, Galerie 22,
Düsseldorf, Germany (performance)

Selected group exhibitions
2001 ‘Double Feature: Paul Kos and Nam June Paik’, San Francisco Museum
of Modern Art, USA
'Perth International Arts Festival', John Curtin Gallery, Curtin University,
Perth, Australia
2000 ‘Media _city Seoul 2000', Seoul Metropolitan Museum of Art, Korea
'La Estampa Coreana Contemporanea: Reflejo de Una Cultura',
Calcografia Nacional, Madrid, Spain
1999 ‘The American Century: Art and Culture, 1900–2000 (Part 2)’, Whitney
Museum of American Art, New York, USA
‘Rewind to the Future’, Bonner Kunstverein, Germany
'Fluxus in America', Rafael Vostell Gallery, Berlin, Germany
'1999 Passage: I Love Art', Watari-Um Museum of Contemporary Art,
Tokyo, Japan
'The Liquid Medium', Queensland Art Gallery, Brisbane, Australia
1998 ‘Poetics of Time’, Ho-Am Art Museum, Seoul, Korea
'Art Documentary '98', Hiroshima City Museum of Contemporary Art,
Japan
1997 'Skulptur. Projekte In Munster 1997', Germany
‘Biennale d’Art Contemporain de Lyon (4e)’, France
‘Francesco Conz and the Intermedia Avant-Garde’, Queensland Art
Gallery, Brisbane, Australia
‘Out of Actions: Between Performance and the Object, 1949–1979’, The Geffen Contemporary, Los Angeles, USA
1996 ‘Mediascape’, Guggenheim Museum SoHo, New York, USA
'The World Over/Under Capricorn: Art in the Age of Globalisation',
Stedelijk Museum, Amsterdam, The Netherlands; Aotearoa New Zealand
1995 ‘infoART: ‘95 Kwangju Biennale’, Korea
'Asiana: Contemporary Art from the Far East: 46th Venice Biennale',
Palazzo Vendramin Calergi, Venice, Italy
‘4th International Istanbul Biennial: The Vision of Art in a Paradoxical
World’, Turkey
‘Information and Reality: Korean Contemporary Art’, Fruitmarket Gallery,
Edinburgh, UK
‘1968’, National Gallery of Australia, Canberra, Australia
'The Tiger's Tail: 15 Contemporary Artists for Venice '95', National
Museum of Contemporary Art, Seoul, Korea; Italy
'Art and Electronics', Hong Kong Arts Centre
'Eine Lange Geschichte mit vielen Knoten (A Long Tale With Many
Knots): Fluxus in Deutschland, 1962–1994', Institut fur Auslandsbeziehungen, Stuttgart, Germany; Israel; Australia; Aotearoa New Zealand; Japan; Korea
'Korean Art 1995: Quality, Quantity, Sensation', National Museum of Contemporary Art, Seoul, Korea
1994 ‘Japanese Art after 1945: Scream against the Sky’, Yokohama Museum
of Art, Japan; USA
‘Home Video Redefined: Media, Sculpture and Domesticity’, Center of
Contemporary Art, Miami, USA
'Transformers: A Moving Experience', Auckland Art Gallery, Aotearoa New Zealand
1993 ‘Neither East nor West: Seven Contemporary New York Artists', Taipei
Gallery, Taiwan
‘Artist as Nomad’, German Pavilion, 45th Biennale di Venezia, Italy
'Fluxus and after', Queensland Art Gallery, Brisbane, Australia
'Taejon Expo ‘93’, Korea
‘Les Pensées Bleues: Georg Baselitz, Enzo Cucchi, Wolfgang Laib,
Nam June Paik, Jean-Pierre Raynaud', capcMusée d’art contemporain de Bordeaux, France
1990 ‘The Readymade Boomerang: Certain Relations in 20th Century Art: 8th Biennale of Sydney’, Art Gallery of New South Wales, Sydney, Australia
1991 'Under the Influence of Fluxus', Plug In Inc., Winnipeg, Canada; USA;
South America
1989 ‘Magiciens de la Terre', Centre Georges Pompidou, Paris, France
‘Image World: Art and Media Culture’, Whitney Museum of American Art,
New York, USA
‘Theme Hiroshima’, Hiroshima City Museum of Contemporary Art, Japan
'La Fée Electronique', Musée d'Art Moderne de la Ville de Paris, France
1987 ‘The Arts for Television’, The Museum of Contemporary Art, Los
Angeles, USA
'L'Epoque, La Mode, La Morale, La Passion: Aspects de l'Art d'Aujourdhui, 1977–1987', Centre Georges Pompidou, Paris, France
1986 'Prospect 86: Eine Internationale Ausstellung Aktueller Kunst',
Frankfurter Kunstverein, Frankfurt, Germany
1985 'Video Sculptur: Retrospektiv und Aktuell', ARCA Centre d'Art Contemporain, Marseilles, France; Germany; Switzerland
1984 Won Gallery (with Merce Cunningham), Seoul, Korea
Watari-Um Gallery (with Joseph Beuys), Tokyo, Japan
1983 ‘American Video: Twenty New Works’, Hyogo Prefectural Museum of
Modern Art, Japan
1982 '1962 Wiesbaden Fluxus 1982: eine kleine Geschichte von Fluxus in drei Teilen' (with John Cage), Wiesbaden, Germany
'60–80 Attitudes/Concepts/Images', Stedelijk Museum, Amsterdam
1980 'Mein Kölner Dom' (with Ingo Gunther), Kölnischer Kunstverein,
Cologne, etc., Germany
1977 ‘Documenta 6’, Kassel, Germany
1976 'The River: Images of the Mississippi', Walker Art Center, Minneapolis,
USA
1975 ‘Video Art USA: 13th Bienal de Sao Paulo', Brazil
1974 '5th International Experimental Film Competition', Knokke-Heist,
Belgium
'2nd International Computer Arts Festival', The Kitchen, Mercer Centre,
New York, USA (Performance)
1972 'Cineprobe: An Evening with Jud Yalkut and Nam June Paik', The
Museum of Modern Art, New York, USA
1970 'Vision and Television', Rose Art Gallery, Brandeis University, Waltham,
USA
'Happening and Fluxus', Kölnischer Kunstverein, Cologne, Germany
1969 'Electric Art', UCLA Art Galleries, Los Angeles, USA
'TV As A Creative Medium', Howard Wise Gallery, New York, USA
1968 'Cybernetic Serendipity', Institute of Contemporary Art, London, UK;
USA
'The Machine: As Seen at the End of the Mechanical Age', The
Museum of Modern Art, New York, USA
1967 ‘Light/Motion/Space’, Walker Art Center, Minneapolis, USA
1966 'Kinetic and Programmed Art', Museum of Art, Providence, USA
1965 ‘Art Turned On’, Boston Institute of Contemporary Art, USA
1962 'World Graphic Scores', Minami Gallery, Tokyo, Japan
'1st Fluxus International Festival of Very New Music', Wiesbaden,
Germany

Qualifications, grants & awards
2001 Lifetime Achievement in Contemporary Sculpture Award, International
Sculpture Center, USA
2000 Geum-Gwan Medal, Government of Korea Order of Merit for Culture
1998 The Kyoto Prize, The Inamori Foundation, Japan
1995 Ho-Am Prize, Korea
1993 Golden Lion, XLV Biennale di Venezia, Italy
1992 UNESCO Picasso Medal
1991 Kaiserring Prize, Monchehaus Museum fur Moderne Kunst, Germany
Will-Grohmann Preis, Akademie der Kunste, Berlin, Germany
1977 Solomon R. Guggenheim Fellowship
1971 Artist-in-residence, WNET-TV, New York, USA
1969 Artist-in-residence, WGBH-TV, Boston, USA
1958 Studied at University of Munich, Department of Art History (musicology)
1957–58
Studied composition with Wolfgang Fortner at the Musikhochschule
Freiburg, Germany
1956–57
Studied music history with Thrasybulos Georgiades, University of
Munich, Germany
1956 Graduated University of Tokyo, Japan (studies in music, art history,
philosophy)

Collections
Art Gallery of New South Wales, Sydney, Australia
Gallery Hyundai, Seoul, Korea
Hirshhorn Museum and Sculpture Garden, Washington DC, USA
John Kaldor, Sydney, Australia
Museum of Contemporary Art (MOT), Tokyo, Japan
National Gallery of Australia, Canberra
National Museum of American Art, Washington, DC, USA
National Museum of Contemporary Art, Seoul, Korea
Queensland Art Gallery, Brisbane, Australia
Sonje Museum of Contemporary Art, Kyungju, Korea
Stuart Collection, University of California, San Diego, USA
Watari-Um Museum of Contemporary Art, Tokyo, Japan

Selected bibliography
Ashton, Dore. 'Love-making on the moon is four times hard'. Modern Painters, vol.13, no.1, Spring 2000,pp.54–6.

Blom, Ina. ‘The touch through time: Raoul Hausmann, Nam June Paik and the transmission technologies of the avant-garde’. Leonardo, vol.34, no.3, 2001, pp.209–15.

Decker-Phillips, Edith. Paik Video. Barrytown Ltd, Barrytown, NY, 1998.

Fargier, Jean-Paul. Nam June Paik. Art Press, Paris, 1989.

Goodman, Jonathan. ‘TV Buddha, video fish: the worlds of Nam June Paik’. Art AsiaPacific, no.29, 2001, pp.22–24.

Hanzal, Carla. ‘Traversing the worlds of Nam June Paik’. Sculpture, vol.20, no.5, June 2001, pp.18–23.

Herzogenrath, Wulf & Schmidt, Sabine Maria. Nam June Paik: Fluxus, Video. Kunsthalle Bremen, Bremen, 1999.

Kernan, Nathan. ‘Nam June Paik’. Burlington Magazine, vol.142, no.1167, June 2000, pp.394–6.

Kim, Alice. ‘Coyotes and wolves: an interview with Nam June Paik’. New Art Examiner, vol.28, no.7, April 2001, pp.38–43.

Landy, Leigh & von Graevenitz, Antje. ‘”I make technology ridiculous” — the unusual dialectics of Nam June Paik’. Avant Garde, no.7, 1992, pp.79–108.

Matzner, Florian (ed.). Nam June Paik: Baroque Laser. Cantz, Ostfildern, 1995.

Meairs-Conzen, Ina. Nam June Paik: Beuys Video Wall — Beuys Hat. Werkstudien der Staatsgalerie Stuttgart, Stuttgart: Cantz, 1992.

Mellencamp, Patricia. ‘The old and the new: Nam June Paik’. Art Journal, vol.54, no.4, Winter 1995, pp.41–7.

Morgan, Robert C. ‘Global grooving at the Guggenheim: Nam June Paik’. Sculpture, vol.19, no.3, April 2000, pp.26–31.

Paik, Nam June & Decker, Edith. (eds). Nam June Paik: Niederschriften eines Kulturnomaden. DuMont, Cologne, 1992.

Paik, Nam June, Stooss, Toni & Kellein, Thomas. Nam June Paik: Video Time, Video Space [exhibition catalogue]. H.N. Abrams, New York, 1993.

Rhee Jong-soong. ‘Portapaik’. Art AsiaPacific, vol.3, no.3, 1996, pp.52–7.

Serwer, Jacquelyn D. ‘Nam June Paik: technology’. American Art, vol.8, no.2, Spring 1994, pp.87–91.

Silver, Kenneth E. ‘Nam June Paik: video's body’, Art in America, vol.81, no.11, November 1993, pp.100–107.

Smith, Walter. ‘Nam June Paik's TV Buddha as Buddhist art’. Religion and the Arts, vol.4, no.3, 2000, pp.359–73.

The World of Video Art According to Nam June Paik: Harmony of High Technology and Art. National Museum of Contemporary Art, Seoul, 1988.

Zurbrugg, Nicholas. ‘Nam June Paik: an interview’. Visible Language, vol.29, no.2, Spring 1995, pp.122–37.


Artists and Works
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