134
2006-07
p.118: Katharina Grosse working on ‘Picture Park’, GOMA, June
2007; p.119 (l-r): Children participating in Yang Zhenzhong’s
Light
andeasy (Brisbane)
for Kids’ APT, ‘The 5th Asia Pacific Triennial of
Contemporary Art' (APT5), GOMA, December 2006 / Photograph:
A Jensen; artist talk by John Pule, APT5 opening weekend, GOMA,
December 2006 / Photograph: A Jensen; installation view of APT5,
GOMA, December 2006 / Photograph: R Hassett; installation view
of
It’sallabout theDestiny! Isn’t it?
2006 by Eko Nugroho in APT5,
GOMA, December 2006 / Photograph: R Hassett; installation view of
Katharina Grosse’s ‘Picture Park’, GOMA, June 2007; Director Tony
Ellwood, Deputy Director Suhanya Raffel and Wayne Goss, then
Chair of the Gallery’s Board of Trustees, with Anish Kapoor’s
Untitled
2006–07, GOMA, November 2007; Cornelius performing at the APT5
opening celebrations, GOMA, December 2006 / Photograph: J Bell;
traditional dance from Aurukun at the APT5 opening celebrations,
GOMA, December 2006 / Photograph: R Hassett; installation view
of APT5, GOMA, December 2006 / Photograph: R Hassett; Robert
Forster performs the songs of The Velvet Underground, ‘Andy
Warhol’ opening weekend, GOMA, December 2007 / Photograph:
J Bell; installation view of
SilverClouds
1966 by Andy Warhol in The
Silver Factory: Andy Warhol for Kids, GOMA, December 2007; APT5
opening weekend performance, GOMA, December 2006 / Photograph:
R Hassett; installation view of ‘Howard Arkley’, A National Gallery
of Victoria Touring Exhibition, GOMA, July 2005 / © Howard Arkley
Estate; installation view of ‘ Andy Warhol’, GOMA, December 2007;
author Linda Jaivin gives a talk during ‘Andy Warhol’, GOMA, December
2007; Pope Alice (aka artist Luke Roberts) at the combined Official
Opening of GOMA and APT5, December 2006 / Photograph: R Hassett;
installation view of
ClassroomUpsideDown
by Sutee Kunavichayanont
in Kids’ APT, APT5, GOMA, December 2006 / Photograph: A Jensen;
performers in
Kin
by Stephen Page, Artistic Director of Bangarra
Dance Theatre, APT5 opening celebrations, GOMA, December 2006 /
Photograph: J Bell; artist Ai Weiwei speaking at the APT5 Director’s
Symposium, GOMA, December 2006 / Photograph: A Jensen;
installation view of
Lotusland
1999 by Dinh Q Lê, APT5, GOMA,
December 2006 / Photograph: A Jensen
2008
p.120: Installation view of Lee Mingwei’s
Gernika insand
performance,
GOMA, June 2008; p.121 (l-r): Exterior view of GOMA during Andy
Warhol Up Late, January 2008; installation view of ‘Place Makers:
Contemporary Queensland Architects’, GOMA, August 2008;
installation view of Gemma Smith’s
Constructiveactivity forchildren
for Kids: Contemporary Australia, ‘Contemporary Australia: Optimism’,
GOMA, November 2008; the annual Buddhist blessing of the Gallery’s
Bodhi tree during Lee Mingwei’s
BodhiTreeProject
2006, GOMA,
May 2008; installation view of Emily Floyd’s
Makeamanifesto
for Kids: Contemporary Australia, ‘Optimism’, GOMA, November
2008; installation view of ‘Someone’s Universe: The Art of Eugene
Carchesio’, QAG, October 2008; installation view of ‘Picasso & his
collection’ during Picasso Up Late, GOMA, June 2008; installation
view of ‘Picasso’, GOMA, June 2008; installation view of Vernon
Ah Kee’s
Who let thedogsout
2008, ‘Optimism’, GOMA, November
2008; artist Gunybi Ganambarr, winner of the Xstrata Coal Emerging
Indigenous Art Award 2008, in front of his work
Burrut'tjiatBaraltja
2008, GOMA, July 2008; exterior view of GOMA during the Official
Opening of ‘Optimism’, GOMA, November 2008; installation view of
TheHigh /PerpetualXmas,NoAbstractions
2008 by Scott Redford,
‘Optimism’, GOMA, November 2008; children’s mask-making activity
at the Kozan Community Day, held in conjunction with ‘Picasso & his
collection’, GOMA, August 2008 / Photograph: J Bell; Wolfmother
performing at Andy Warhol Up Late, GOMA, April 2008 / Photograph:
J Bell; Premier Anna Bligh,
mp
, and Peter Alwast, winner of the Premier
of Queensland’s National New Media Art Award 2008, in front of his
work
Everything
2008, GOMA, October 2008; Arlene TextaQueen in
front of her work
They took itveryseriously (BridesofFrank)
2008,
‘Optimism’, GOMA, November 2008; installation view of ‘Optimism’,
GOMA, November 2008
2009
p.122: Artist Subodh Gupta talks about his work
LineofControl (1)
2008, ‘The 6th Asia Pacific Triennial of Contemporary Art’ (APT6),
GOMA, December 2009; p.123 (l-r): Lydia Pearson and Pamela
Easton with one of their garments, ‘Easton Pearson’, GOMA, April
2009; installation view of ‘The China Project’ with
Abook from the
sky
1987–91 by Xu Bing (foreground) and
980810
1998 by Fang Lijun
(background), GOMA, March 2009; installation view of ‘American
Impressionism & Realism: A Landmark Exhibition from the Met’,
QAG, August 2009; a Pacific Reggae Sounds performance, APT6,
GOMA, December 2009; installation view of
Banumbirr (Morning
starpoles)
, ‘Floating Life: Contemporary Aboriginal Fibre Art’,
GOMA, July 2009 / Photograph: S Charlton; installation view of the
Children's Art Centre’s Easton Pearson Workroom, ‘Easton Pearson’,
GOMA, April 2009; a floortalk given by Nicholas Chambers, Curator,
Contemporary International Art, with Ron Mueck’s
Inbed
2005,
‘Peopled: Contemporary Art from the Collection’, GOMA, October
2009; installation view of
Sorry
2008 by Tony Albert, ‘Contemporary
Australia: Optimism’, GOMA, January 2009; installation view of ‘Anne
Wallace: Release the Bats’, Children’s Art Centre, GOMA, September
2009 / Photograph: K Bennett; Shinji Ohmaki talks about his work
Liminalair–descend–2007–09
, APT6, GOMA, December 2009;
installation view of ‘Tim Johnson: Painting Ideas’, GOMA, June 2009;
installation view of
Makeamanifesto
2008 by Emily Floyd, ‘Optimism’,
GOMA, January 2009; installation view of ‘Floating Life’, GOMA, July
2009 / Photograph: S Charlton; installation view of ‘The China Project’,
with Ah Xian’s
Humanhuman– lotus,cloisonnefigure1
2000–01
(foreground) and a selection of busts from his ‘Metaphysica’ series
2007 (background), GOMA, March 2009; installation view of ‘Paperskin:
Barkcloth across the Pacific’, QAG, October 2009; installation view of
Mushroommantra
2008 by Charwei Tsai, APT6, GOMA, December
2009; installation view of
TheLightatLascaux (CaveEntrance),
September29,2005,5:27PM
2005 by Spencer Finch, ‘Spencer Finch:
As if the sea should part and show a further sea’, GOMA, February,
2009; installation view of
Peopleholdingflowers
2007 by Zhu Weibing
and Ji Wenyu, APT6, GOMA, December 2009
2010
p.124: Artist Fiona Hall installing her work
Tender
2003–06, ‘21st
Century: Art in the First Decade’, GOMA, December 2010; p.125 (l-r):
Artist Shinji Ohmaki with his work
Memorial rebirth
2008 during Kids’
APT Summer Spectacular, APT6, QAG, January 2010 / Photograph:
K Bennett; artist Madeleine Kelly leads a workshop during the Kids’
APT Summer Spectacular, APT6, QAG, January 2010 / Photograph:
K Bennett; a floortalk given by Suhanya Raffel, Deputy Director,
Curatorial and Collection Development, with
Lightning forNeda
2009
by Monir Shahroudy Farmanfarmaian (background), ‘21st Century’,
GOMA, December 2010; installation view of
Thecubicstructural
evolutionproject
2004 by Olafur Eliasson, ‘21st Century’, GOMA,
December 2010; installation view of Top Hats, an interactive area of
‘Hats: An Anthology by Stephen Jones’, QAG, June 2010 / Photograph:
K Bennett; installation view of
Left/Rightslide
2010 by Carsten Höller,
‘21st Century’, GOMA, December 2010 / ©
Left/RightSlide
2010.
Carsten Höller for GOMA; installation view of
TheHornofAfrica
2006
by Michael Parekowhai, ‘Unnerved: The New Zealand Project’, GOMA,
April 2010; installation view of Valentino Up Late during ‘Valentino,
Retrospective: Past/Present/Future’, GOMA, September 2010; artist
Callum Morton talks with a young visitor to ‘Callum Morton: Ghost
World', Children’s Art Centre, GOMA, June 2010 / Photograph: Brad
Wagner; artist Scott Redford talks about his work in ‘Scott Redford:
Introducing Reinhardt Dammn’, QAG, November 2010; a floortalk given
by Glenn Cooke, Research Curator, Queensland Heritage, during ‘Vida
Lahey: Colour and Modernism’, QAG, October 2010; installation view
of
Diva
2007 by Lisa Reihana, ‘Unnerved’, GOMA, April 2010 / © Lisa
Reihana 2007. Licensed by Viscopy, Sydney, 2012; a floortalk given by
Bruce McLean, Associate Curator, Indigenous Australian Art, during
‘Spirited: Works from the Gallery’s Indigenous Australian Collection’,
GOMA, July 2010 / Photograph: Brad Wagner; NAIDOC week
celebrations, GOMA, July 2010 / Photograph: Brad Wagner; installation
view of Ron Mueck’s
Youth
2009, ‘Ron Mueck’, A National Gallery of
Victoria Touring Exhibition, GOMA, June 2010 / © Ron Mueck 2009.
Courtesy: Anthony d’Offay, London / Photograph: Brad Wagner;
installation view of ‘Valentino, Retrospective’, GOMA, August 2010;
installation view of ‘Santiago Sierra: 7 forms measuring 600 x
60 x 60cm, constructed to be held horizontal to a wall’, GOMA,
November 2010
2011
p.126: Installation view of ‘Land, Sea and Sky: Contemporary Art of
the Torres Strait Islands’, GOMA, July 2011; p.127 (l-r): Installation
view of ‘Art, Love and Life: Ethel Carrick and E Phillips Fox’, QAG, April
2011; installation view of
Theobliteration room
2011 by Yayoi Kusama,
‘Yayoi Kusama: Look Now, See Forever’, GOMA, November 2011 /
© Yayoi Kusama, Yayoi Kusama Studio Inc. / Photograph: K Bennett;
installation view of The Drawing Room, part of ‘Matisse: Drawing Life’,
GOMA, December 2011; a floortalk given by artist and guest-curator
Marian Drew during ‘Artist’s Choice: Marian Drew – Buoyancy’, QAG,
July 2011; members of band 6ft Hick in conversation during ‘Let There
Be Rock’, GOMA, May 2011; a floortalk given by exhibition curator
Andréa Holzherr, Exhibition Manager and Cultural Developer at
Magnum Photos, during ‘Henri Cartier-Bresson: The Man, The Image
& The World’, QAG, August 2011 / © Henri Cartier-Bresson/Magnum
Photos; installation view of Pip & Pop’s ‘we miss you magic land!’,
Children’s Art Centre, GOMA, November 2011; installation view of
‘Matisse’, GOMA, December 2011; artist Robert Hunter installing his
work
Untitled
1971 for ‘Ten Years of Contemporary Art: The James
C Sourris
am
Collection’, GOMA, November 2011 / © Robert Hunter
1971. Licensed by Viscopy, Sydney, 2012; Gallery Members after-hours
viewing of ‘21st Century’, GOMA, March 2011; a floortalk given by
Bruce McLean, Associate Curator, Indigenous Australian Art, with
Tiger Palpatja’s
WanampiTjukurpa
2010 (background), during ‘Desert
Painting Now: New Works for the Collection’, GOMA, May 2011 /
© Tiger Palpatja 2010. Licensed by Viscopy, Sydney, 2012; GOMA
Talks panel discussion program during ‘21st Century’, GOMA, March
2011; installation view of
Louptable
(
Wolf-table
) [1939]/1947 by Victor
Brauner, ‘Surrealism: The Poetry of Dreams’, GOMA, June, 2011 /
© Victor Brauner/ADAGP. Licensed by Viscopy, Sydney, 2012;
installation view of
L’adorationduveau
(
Adorationof thecalf
) 1941–42
by Francis Picabia, ‘Surrealism’, GOMA, June, 2011 / © Francis
Picabia/ADAGP. Licensed by Viscopy, Sydney, 2012; artist Gemma
Smith conducts a workshop for Gallery Members during ‘21st
Century’, GOMA, May 2011 / Photograph: Brad Wagner; five-year-olds
were invited to join GOMA’s fifth anniversary celebrations, GOMA,
November 2011; Premier Anna Bligh,
mp
, at the GOMA Turns 5 family
fun day, GOMA, November 2011; installation view of ‘Matisse’, GOMA,
December 2011; installation view of
Flowers thatBloomatMidnight
2010–11 by Yayoi Kusama in ‘Yayoi Kusama: Look Now, See Forever’,
GOMA, November 2011 / © Yayoi Kusama, Yayoi Kusama Studio, Inc.
Remember
TAKE A STEP BACK
+
GET A LITTLE CLOSER
Celebrating five years of exhibitions + programs at QAG + GOMA
Captions for pages 118 – 127
Nellie Stewart
/
Punuwara
(detail)
2010 / Purchased 2011 with funds
from Margaret Mittelheuser,
am
,
and Cathryn Mittelheuser,
am
,
through the Queensland Art
Gallery Foundation / © Nellie
Stewart 2010. Licensed by Viscopy,
Sydney, 2011 / Full image see
page 91
