Annual Review 2011 - page 31

31
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ToP
Installation view of The
Drawing Room, ‘Matisse’, Gallery
of Modern Art, December 2011
LeFT
Informed by particular
periods and places in Matisse’s
career, and by the ‘palette of
objects’ that frequently appear
in his work, The Drawing Room
contained still-life arrangements
and sculptures, as well as live
models and music, all inspiring
visitors to explore drawing
oPPosITe rIGHT
Installation view
of Edgar Degas
Dancer lookingat
thesoleofher right foot
(
Danseuse
regardant laplantedesonpied
droit
) cast before 1954 (Proposed
gift of the Estate of Margaret
Olley,
ac
, through the Queensland
Art Gallery Foundation), in The
Drawing Room, ‘Matisse’, Gallery
of Modern Art, December 2011
oPPosITe LeFT
The inclusion
of touchscreen tablets in The
Drawing Room ensured visitors
experienced drawing in the
digital age
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